Borrowing a Moose Head From Cole Porter #LiteraryFiction
Borrowing a Moose Head: I had a bad feeling about Indiana from the first instant I heard we were going to be stationed there.
Borrowing a Moose Head: Literary Fiction/Family Life
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BLURB: Borrowing a Moose Head From Cole Porter
In our time as members of the US Air Force we had lived in many places and gone through many things. We didn’t expect that being stationed at Grissom AFB in Indiana would be the trial it turned out to be. We were leaving Germany, a foreign place, to come to middle America, supposedly home, but Grissom certainly didn’t feel like home.
Between the circus that seemed to run the town of Peru, the god-awful weather and the hostile locals we felt like we had moved into a war zone. But, military families make the best of what they are dumped into so we did our best.
EXCERPT: Borrowing a Moose Head From Cole Porter
We started Barnum meetings/rehearsals the following Thursday, at the Ole Olson Theater building on the edge of Peru. It was just a big warehouse where lots of stage sets were stored and a piece of floor could be tape marked like the Peru High School stage. Rehearsals would take place there on the improvised stage. The production would actually take place in the high school auditorium/theater.
We were given scripts and notified what parts we would play. As I thought, the main characters were all townies who had been connected with Ole or the circus for a long time.
First night rehearsals were a real trip. We had clowns, jugglers, riggers, fliers and high wire walkers. Most came prepared to perform so there were juggling clowns, balancing acts, and tumblers all over the place. One of the clowns seemed completely ready to work. He was a good deal larger than me, meaning over six feet, made up with white face and red wig, stripped pajamas and floppy shoes. He kinda reminded me of Bozo but not exactly. He did remind me of the Jimmy Stewart character in the movie The Greatest Show on Earth. You know, the clown who never took off his make up because he was hiding from the cops? Anyway, this hulking clown was in full make up, and I wondered if he was hiding from the cops as well. Gave me an itchy feeling which increased when he said hello to Mitch. They seemed to know one another, and that didn’t make me happy.
When I got close enough to ask I said, “You know that clown, Mitch?”
“Yeah, and so do you.”
I looked at the clown again and said, “I do?”
“It’s Big Mike from Church,”
From church and from Our Gang.
“Damn. I didn’t even recognize him.”
“Well, the clothes make the man,” Mitch said, with a grin.
“Smart ass.”
He laughed and went back to talking with Mary who was over by the piano.
I watched them and looked over at Big Mike a few times and had thoughts, but like an idiot, I put them away for later consideration instead of grabbing Kathy and Mitch and running for the base. Instead, I calmed my queasy feeling and looked around at the mess of people there for the first Barnummeeting.
I was fascinated by one girl who rode a unicycle. She was a beautiful young high schooler who spent her waiting time that evening hopping her unicycle up a movable stage prop staircase. She would hop up one step, regain her balance then hop up the next step. The stair was only four steps high, but when she got to the top she would lift her arms in victory, turn and bounce back down the steps. I said, thinking out loud, “How the hell can she do that?”
Sam Grant who was not only the piano player but also the musical director said, “My daughter, Linda. She started doing unicycle when she could barely walk. Now she is the national youth champion.”
“There is a competition for unicycle riding?”
Sam laughed. “There is a competition for everything if you look hard enough. Get a Guinness world record book.”
“Yeah, I guess.”
“She won a scholarship to Clown College and a thousand-dollar savings bond.”
“Clown College? You’re kidding me.”
“Absolutely not. Clown College is sponsored by Barnum and Bailey Circus and several other circuses worldwide. If you graduate from there you can go clown at any of hundreds of circuses around the world.”
“Hum. Well, she is good at it for sure. Amazing to watch.”
Sam smiled a proud fatherly smile and said “That’s my girl.”
I let it go at that, but I still wasn’t exactly convinced so, being an information geek, I looked it up and it was for real. I found out later that many of the kids who participated in the Peru Circus went on to life in circuses around the world including Barnum and Bailey. Where some students might talk about going the University of Indiana or Ball State a lot of kids around Peru talked about going to Clown College in Florida with perfectly straight faces.
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I just purchased e-book Borrowing a Moose Head from Cole Porter at Amazon. Will do a review after reading.
I had the opportunity to read G. Lloyd Helm’s new book when it was in near final manuscript form, and I thought it an incredible work. I previously wrote a review on this book, and I hope Helm shares it because I highly recommend this novel which is filled with irony and subtle wit but packs an emotional punch that you don’t see coming.
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“Borrowing a Moose head from Cole Porter”
By G. Lloyd Helm
Review by Nancy A. Dafoe
Skillfully balancing absurdity with pathos, G. Lloyd Helm creates a portrait of living in middle America that is as surprising as it is deeply affecting. Protagonist Jack Wells takes us on a ride with his family to rural, Peru, Indiana where he continues to ask, “What is wrong with these people?” From the humorous analogy of Broadway on the edge of Peru to New York’s Broadway, Helm lets readers in on extra-diegetic humor even while his characters remain true to the story. Although Jack and his wife, Kathy or Sarge, and son Mitch have lived all over the world through her military assignments, Jack sums up their short time in Indiana in the darkest of terms, at once comedic and striking: “We’ve seen more deaths and darkness and drugs and general awfulness than anywhere else in the world.”
From Helm’s great opening line with his “bad feeling” and foreshadowing, Jack’s first-person narration of his family’s lives and those in this small town, in which farmers and “Base” [Grissom Air Force Base] people mix uncomfortably, is natural. Jack’s son Mitch is a handful and as much trouble as his leading lady Cheryl Menville, who stars with Jack in a theater production of Saving Grace. Mitch’s habit of juggling balls at the oddest times reminds us of Jack juggling his Deacon duties with his amateur acting, leading to near affairs, genuine performances, a parody of the Oscars, drug deals, and military police arrests. Yet, all of life in Peru rings true as we anticipate an Ole Olson Theater performance then head to Author’s for a drink.
This is writing in the hands of an experienced author whose metaphors make you laugh and stop and wonder at the same time: the old Dodge car handling “like a herd of cattle.” Borrowing a Moosehead from Cole Porter is timely and incredibly relevant. It is an American story.
Borrowing a Moose head from Cole Porter
By G. Lloyd Helm
Review by Nancy A. Dafoe
Skillfully balancing absurdity with pathos, G. Lloyd Helm creates a portrait of living in middle America that is as surprising as it is deeply affecting. Protagonist Jack Wells takes us on a ride with his family to rural, Peru, Indiana where he continues to ask, “What is wrong with these people?” From the humorous analogy of Broadway on the edge of Peru to New York’s Broadway, Helm lets readers in on extra-diegetic humor even while his characters remain true to the story. Although Jack and his wife, Kathy or Sarge, and son Mitch have lived all over the world through her military assignments, Jack sums up their short time in Indiana in the darkest of terms, at once comedic and striking: “We’ve seen more deaths and darkness and drugs and general awfulness than anywhere else in the world.”
From Helm’s great opening line with his “bad feeling” and foreshadowing, Jack’s first-person narration of his family’s lives and those in this small town, in which farmers and “Base” [Grissom Air Force Base] people mix uncomfortably, is natural. Jack’s son Mitch is a handful and as much trouble as his leading lady Cheryl Menville, who stars with Jack in a theater production of Saving Grace. Mitch’s habit of juggling balls at the oddest times reminds us of Jack juggling his Deacon duties with his amateur acting, leading to near affairs, genuine performances, a parody of the Oscars, drug deals, and military police arrests. Yet, all of life in Peru rings true as we anticipate an Ole Olson Theater performance then head to Author’s for a drink.
This is writing in the hands of an experienced author whose metaphors make you laugh and stop and wonder at the same time: the old Dodge car handling “like a herd of cattle.” Borrowing a Moosehead from Cole Porter is timely and incredibly relevant. It is an American story.